Emajendat, by Lauren Halsey at the Serpentine Gallery is a full-on blast of joy and celebration. The title says it all. This is a testament of love to the culture and vitality of South Central Los Angeles, home to the artist and her family for generations, a “funky garden” made within the setting of Kensington […]
Exhibitions
It Will End In Tears: Pamela Phatsimo Sunstrum at The Curve, Barbican.
The Curve at The Barbican can be an intimidating space for an exhibition but It Will End In Tears by Pamela Phatsimo Sunstrum worked well as you followed the narrative elements. Walking through felt like witnessing a 1940s film noir plot. We are though given the freedom to interpret the story in a variety of […]
Daniel Hosego: The Poison Drinkers at James Freeman Gallery
The Poison Drinkers is the title of Daniel Hosego‘s latest solo show at James Freeman Gallery. Drawing on the styles of Albrecht Dürer and Hieronymus Bosch to comment on the world of today, his work is packed with contemporary and classical references. The titles also give you a clue… And yes, these are all hand […]
Michelangelo, Leonardo, Raphael, Florence, c. 1504 at the Royal Academy. Post 1 of 2.
This show brings together the 3 Renaissance giants: Leonardo, Michelangelo and Raphael who came to work in Florence for a short period of time. Leonardo (the eldest) and Michelangelo were both from Florence. Raphael, a much younger man, had come to learn from them as well as prove himself in what was the artistic capital […]
Drawn to Blue. Courtauld Gallery
This small exhibition, Drawn to Blue: Artists’ use of Blue Paper at the Courtauld Gallery in London, explores the history of using a blue background for drawing. Originating in Venice, blue paper gave the artist an instant mid-tone enabling them to work on light and shade. Most of the papers have faded to grey over […]
Sedrick Chisom: The Villain of History for One Night Alone at Pilar Corrias gallery.
In his show at Pilar Corrias Conduit Street, Sedrick Chisom uses coarsely woven fabric stapled to a frame as his painting surface. That softness and irregularity reminded me of the bark fabric used by his contemporary Michael Armitage. His imagined alternative universe references imagery from the American Civil War. Reading the text below gives context […]