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Drawn to Blue. Courtauld Gallery

08/01/2025

Drawn to Blue. Courtauld Gallery. Photo by Caroline Banks. PIN IT
Studies after Michelangelo’s Samson & the Philistines. Jacopo Tintoretto or workshop. Around 1560

This small exhibition, Drawn to Blue: Artists’ use of Blue Paper at the Courtauld Gallery in London, explores the history of using a blue background for drawing. Originating in Venice, blue paper gave the artist an instant mid-tone enabling them to work on light and shade.

Most of the papers have faded to grey over time but still show why it was a popular choice:

Drawn to Blue. Courtauld Gallery. Photo by Caroline Banks. PIN IT
Sacking of a Temple. Francesco Salviati. After 1540

I’m a sucker for a good drawing so this exhibition was a delight.

Drawn to Blue. Courtauld Gallery. Photo by Caroline Banks. PIN IT
Self Portrait. Jonathan Richardson the Elder. 1728
Drawn to Blue. Courtauld Gallery. Photo by Caroline Banks. PIN IT
Cavalry Battle. Attributed to Johann Joachim Pfeiffer the Elder. 17th Century
Drawn to Blue. Courtauld Gallery. Photo by Caroline Banks. PIN IT
Bacchus. Giovanni Battista Tiepolo. 1751-53 appx.
Drawn to Blue. Courtauld Gallery. Photo by Caroline Banks. PIN IT
Bathing Women. Wyndham Lewis. 1941

Drawing is a core element of my practice. Here are a couple of my figure drawings below, both using blue as the mid-tone.

And no, I had never seen the Wyndham Lewis piece before.

Life drawing. Caroline Banks. PIN IT
Life drawing. Caroline Banks. PIN IT

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