• Skip to primary navigation
  • Skip to main content
  • Skip to footer
  • Skip to footer navigation
  • info@carolinebanks.co.uk
  • Facebook
  • Instagram
  • LinkedIn
  • RSS
  • Twitter

Caroline Banks

  • About
  • Gallery
  • Workshops & Groups
  • Commissions
  • Blog
  • Contact

Michelangelo, Leonardo, Raphael, Florence, c. 1504 at the Royal Academy. Post 1 of 2.

13/01/2025

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
The Virgin and Child (detail). Michelangelo c 1504-5

This show brings together the 3 Renaissance giants: Leonardo, Michelangelo and Raphael who came to work in Florence for a short period of time.

Leonardo (the eldest) and Michelangelo were both from Florence. Raphael, a much younger man, had come to learn from them as well as prove himself in what was the artistic capital at that time.

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
A Kneeling Man Seen from Behind. Michelangelo c. 1490-94
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
A Kneeling Man Seen from Behind (detail). Michelangelo c. 1490-94

They were all in a relatively small place and keenly aware (especially Raphael) of what the others were working on.

The Taddei Tondo is the only piece of sculpture in the UK by Michelangelo and lives at the Royal Academy. Carved at about the same time as his David, it is a masterful piece of work with the poses of the Virgin Mary and baby Jesus copied by Raphael amongst others.

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
The Virgin and Child with the infant St. John the Baptist (Taddei Tondo).
Michelangelo Buonarroti. c 1504-05
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
Studies for a Virgin and Child. Raphael c 1505-07
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
Studies for a Virgin and Child with the infant St. John the Baptist. Raphael c1505

The drawings use chalk or ink as graphite pencils hadn’t yet been invented though paper was now more readily available since the advent of printing.

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
Leda and the Swan. Raphael, after Leonardo da Vinci. c 1505-08
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
David. Raphael, after Michelangelo c 1505-08
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks.
Legs of a Male Nude. Leonardo da Vinci c 1504-06

Footer

Follow me on social media

  • Facebook
  • Instagram
  • LinkedIn
  • RSS
  • Twitter

Search my site

Find me on the following platforms

  • Saatchiart
  • Caiger Art
  • BobCat Gallery

Sign up for regular news updates and my monthly selection of art events



Copyright Caroline Banks © 2025 · Privacy Policy

  • About
  • Gallery
  • Workshops & Groups
  • Commissions
  • Blog
  • Contact