I’m not sure how long Cornelia Parker‘s Transitional Object Psychobarn is going to stay in the courtyard of the Royal Academy but pop in to see it in Piccadilly if you can. Based on the house in Alfred Hitchcock’s Psycho, it was made from a dismantled traditional American red barn. Just a tad unsettling?
Cornelia Parker at the Royal Academy
The Fitzrovia Chapel, a mosaic jewel in London
For those of us old enough to remember, the Middlesex Hospital used to be on this site and had an exquisite 19th Century chapel as its place of worship, known only to those working there. Grade II listed, the Fitzrovia Chapel, designed in the 1880s by one of the foremost Gothic Revival architects John Loughborough […]
Alice Kettle: Thread Bearing Witness at the Whitworth Gallery Manchester
I get out of London every now & again and when I do, visit as many galleries and museums as possible. A recent flit to Manchester meant I could finally get to see the Whitworth Art Gallery, revamped a few years ago. A wonderful space with a brilliant cafe too – their full English breakfast […]
Some of the artists at The Other Art Fair Brooklyn
As several of you will know, I showed my work in New York for the first time at The Other Art Fair in Brooklyn. For some reason I hardly took any photos this time but here are a few snaps of some of the artists I met. I loved the fact that we were from […]
Anni Albers at Tate Modern
So, a weaver has been given a solo show at Tate Modern. It’s about time considering the formal and architectural nature of the medium (and I’m speaking as a non-weaver) and how would art have progressed without canvas? The familiar story of a woman not permitted to attend the same courses as a man meant […]
Paintings by Gail Harvey at the London Art Fair
There’s something about splashy abstract painting that moves me in a way I can’t explain and here’s another artist who does it for me. I first saw Gail Harvey’s work a few years ago at the London Art Fair where I took this photo. I can’t tell you which gallery showed her work as there […]





