Tessa Farmer has been on my mind for a while now. I first saw her work in the flesh through the Danielle Arnaud Gallery.
Her miniaturised dramas are grotesquely fascinating; not only do the scenes depict situations loaded with suppressed or actual violence, the execution and level of detail are staggering. These still-lives are to be studied over a period of time to be fully appreciated. If you visit her website via the link above you can see plenty more.
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