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London Art Fair – post 3 of 3

02/02/2015

I had planned to make this a selection of the use of photography but, as there were too many other images I wanted to share, my final post of this series gathers together some of them instead.

I featured the Charlie Smith Gallery only a few weeks ago; they showed here with their regular stable of artists including a series of paintings by John Stark featuring apiarists IMG_5050 and doctored albumen photographs by Tom Butler.IMG_5052Amongst other artists, Purdey Hicks Gallery showed this pensive, beautifully coloured piece by Pierre Bergian.
IMG_5073 This triptych by Keith Vaughan, shown by Osborne Samuel , also caught my eye.  IMG_5091 It’s fascinating how this piece, by Karen Gunderson at Waterhouse & Dodd, is almost photographic when seen like this but appears much more ambiguous in the flesh, being pure black glossy paint on linen.IMG_5093 Coming back to photography, One Thousand, Three Hundred and Five, by Chris Kenny at England Gallery is a very simple idea and yes, is a circle. It reminded me of sequins hanging from fabric from this distance, with the faces only apparent once you get closer. IMG_5095 IMG_5096 Vigo Gallery is always worth a look, this time showing Konstantino DregosIMG_5105 and Oliver Marsden, whose work I believe I’ve featured before.IMG_5108 On a different note this football pitch of thorns, from a themed series by Pierre Poggi at Federico Bianchi appealed; I know my footballing friends would enjoy it.IMG_5120 And last – I’m sure I’m well over the minute here – the unsettling world of Adam Dix shown by The Contemporary London. IMG_5123I hope I haven’t stretched your patience too far with this one and promise to keep short and sweet next time.

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