I came across a small collection of sculpture in the Duveen Galleries at Tate Britain on a recent visit and these pieces in particular moved me:
Richard Wentworth’s 35°9,32°18 from 1985
Harbour by Alison Wilding in silicone and alabaster
Photo courtesy of Loz Pycock
As if to celebrate, I discovered a mountain blooming with red flowers, unmistakable early work by Anish Kapoor
and Anthony Gormley’s early body moulds Three Ways: Mould, Hole and Passage from 1981.
