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Michelangelo, Leonardo, Raphael: Florence, c. 1504 at the Royal Academy. Post 2 of 2.

20/01/2024

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
Seated Male Nude. Michelangelo 1540-06

In this post the drawings relate to large commissions for both Leonardo and Michelangelo to paint murals on opposite walls of the newly built council chamber, the Sala del Gran Consiglio in Palazzo della Signoria now known as Palazzo Vecchio.

Leonardo was given the subject of the Battle of Anghiari ( The Fight for the Standard) and Michelangelo The Battle of Cascina (The Bathers)

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
The Battle of Anghiari after Leonardo enlarged and
retouched by Peter Paul Rubens (1577–1640)

While the pieces were never finished, here are some of the preparatory drawings.

Leonardo focussed on portraying the extreme emotions of men and horses

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
A Rearing Horse, and Heads of Horses, a Lion and a Man. Leonardo c 1505-05
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
A Rearing Horse. Leonardo c 1503-05
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
Horses and Soldiers, and Angel of the Annunciation. Leonardo c 1503-05
PIN IT
Head of a Soldier in Profile Wearing a Winged Helmet, and Facial features. Michelangelo c1504-06

while Michelangelo was more interested in the human body as a means of expression.

And Raphael was, as ever, right behind them, learning as much as he could.

Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
Two Male Nudes Seen from Behind. Raphael c 1505
Michelangelo, Leonardo and Raphael: Florence 1504. Royal Academy. Photo by Caroline Banks. PIN IT
Studies for the Trinity of San Severo and sketches after Leonardo. Raphael c1505-06

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