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Caroline Banks

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Michael Craig-Martin at the Royal Academy. Post 1 of 2.

02/12/2024

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT

There was so very much more in this show, Michael Craig-Martin at the Royal Academy than I’d expected, hence the 2 blog posts. I was only familiar with the artist’s bright coloured pieces which you’ll see in the second post.

I was completely unaware of Craig-Martin‘s earlier work, influenced by Marcel Duchamp. Seeing this helped me understand his influence on his students, most famously the YBAs.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT
An oak tree. 1973

Please read the text below, as it is part of the same work.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT
An oak tree. 1973

It’s the wit and visual clarity that I appreciate.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT
On the shelf. 1970

Craig-Martin’s decision to draw with matt tape preceded computers and CAD. Look at the purity of line in these small box drawings.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT
Study for box that opens in 4 directions. Hand-applied black crepe tape on isometric graph paper. 1967

A fountain pen with the line it has drawn is scaled up to beyond life-size in steel.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT
Pen and Ink 1985

Fountain pens used to be everyday objects but have been superseded as have the items below in this series of prints.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT
Then and Now 2017

Line drawing goes huge in this mural, epic in scale yet temporary. Once peeled off there will be nothing left behind, just a ball of used tape.

Michael Craig-Martin at the Royal Academy. Photo by Caroline Banks. PIN IT

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