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Caroline Banks

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Kiefer / Van Gogh at the Royal Academy. Post 2 of 2.

21/07/2025

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT

I wanted to show the vast difference of scale, if not of impact, between the two artists in this exhibition: Poppy Field by Van Gogh, seen on the right and,looming through the doorway, part of The Starry Night by Anselm Kiefer, which takes up the entire back wall in the next gallery.

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Poppy field. Van Gogh 1890

Kiefer covers his canvases with a large range of materials, of which straw is a a major component. They are fully formed yet on the verge of collapse,

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
The Starry Night. Anselm Kiefer 2019

tufts of straw hanging off like birds’ nests and even the head of a broom on the canvas. How did that get to be there? I imagine it might have been used to move stuff around and got stuck.

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
The Starry Night. Detail with broom head amongst the straw

As this title indicates, love, life and death are the sum total of our existence: the cycle of growth, fecundity, harvest and decay in farming and life.

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Eros & Thanatos. Anselm Kiefer 2013-19

Both Van Gogh and Kiefer explore this passage of time, each in their own very particular way.

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Snow-covered Field with a Harrow (after Millet). Van Gogh 1890
Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
The Last Load (Das Letzte Fuder). Anselm Kiefer 2019

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