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Caroline Banks

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Kiefer / Van Gogh at the Royal Academy. Post 1 of 2.

14/07/2025

The influence that Van Gogh has had on Anselm Kiefer is blindingly obvious once you notice. I’m ashamed to confess that I hadn’t until now but have discovered I’m not the only one.

My friend and I were surprised to find how satisfying Kiefer/Van Gogh is as an exhibition. It helps that it’s small, only three rooms, meaning you can focus on what’s there without getting sensory overload.

Direct references abound as you can tell from the titles.

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
The Crows (Die Krähen). Anselm Kiefer 2019
Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
The Crows -detail
Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Nevermore. Anselm Kiefer 2014
Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Nevermore side view

Sunflowers symbolise the cycle of life and death for Van Gogh and Kiefer: open during the day and following the sun then closing at night, releasing seeds once dead for new life to begin again.

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Hortus Conclusus. Anselm Kiefer 2007-14
Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Sunflowers gone to seed. Van Gogh 1887

Then you have some of Kiefer’s drawings from his 1963 pilgrimage, following Van Gogh’s journey from the Netherlands to the south of France. They look like Van Gogh drawings,

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT

followed by this exquisitely fine drawing by Van Gogh

Kiefer/Van Gogh at the Royal Academy. Photo by Caroline Banks. PIN IT
Country Road. Van Gogh 1882

More to follow next week in part 2.

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