This second post takes a slightly different view of Impressionists on Paper: Degas to Toulouse-Lautrec, the exhibition at the Royal Academy in London.
Most of my blog posts are about observation and these drawings show some of the detailed study, the background work that now-famous artists have done to hone their craft.
Look at the contrast between the drawing above and below: Van Gogh studied in drawing classes so knew how to produce a more academic style. Working within those constraints didn’t match what he really saw and, although his peasant woman above has way more conviction, he knows how to render depth in the drawing below.
This drawing by Seurat shows a great understanding of form. He loved using Conté crayon on laid paper, both recent inventions. There’s a real sensuality and softness to the shoulder and arm contrasting with the blackness Conté offers.
Odilon Redon uses charcoal, black pastel and black crayon on gold-toned paper, rubbing out layers to achieve an otherworldly effect.
Then back to class drawing – this time a rare life drawing by Paul Cézanne.
It’s fascinating to see how each of us interprets what we see in our own unique way, something I share in my Play With Drawing workshops.
More by Cézanne, first this beautiful observation of a hand towel hanging from the rail of a wash stand. Nothing is too insignificant to be noticed.
Then early and late depictions of flowerpots.
See how his technique and eye have evolved over the years.
