In this second post of the Emily Kam Kngwarray exhibition at Tate Modern, I look at some of the later works.
It’s the layering, the space created with her mark-making, that fascinates me.
You can feel the rhythm of movement, the pace of song and dance in these linear Awely paintings from 1993 onwards.
And the colours in this linear painting alone.
Even panelled pieces are in a landscape format, reminding us of the basis of her work, the land, her land.
