Abstract Expressionism has historically been seen as an American boy’s club, an ultra-masculine movement personified by Jackson Pollock, Willem de Kooning, Barnett Newman et al.
But, as is so often the case, this was only one part of the story. Many women were part of it and are only now beginning to be recognised as this exhibition at Whitechapel Gallery seeks to show.
I know this was an introduction to a lot of previously ignored artists but was frustrated by the cramped display with paintings hung so close together. I suppose it just means I need to do a lot more digging to find out more.
There were a few women, Helen Frankenthaler , Lee Krasner and Joan Mitchell, recognised at the time but they didn’t get the coverage accorded to the men (what’s new?).
So, here are a few pieces I found interesting both aesthetically and historically. I’ve provided general links for more information.
Beginning with an American, Helen Frankenthaler’s large painting greeted us as we arrived. (Regular readers will know I’m a fan of hers).
These “Caligramme” paintings are by Franciszka Themerson, a Polish artist who came to the UK in 1940.
Ni un Dia Mas (not even one more day) by Argentinian artist Sarah Grilo
Does this look familiar? Painted by Janet Sobel, a self-taught artist, whose work was seen by both Jackson Pollock and influential critic Clement Greenberg. Her influence on Pollock’s subsequent drip paintings is only now being recognised.
Elaine de Kooning signed her work EDK as she was only too aware of the discrimination against women artists.
Marie Raymond, French artist and mother of the more famous Yves Klein. Maybe this is where he got his love of blue from?
Such joyful colours in this painting by Israeli artist Lea Nikel .
Ending with a huge canvas by another American, Joan Mitchell who spent most of her working life in France.
Apologies as I ‘m pretty sure I’ve gone over my minute target for this one.
