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Magdalena Abakanowicz at Tate Modern

19/12/2022

Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT

Although I had seen photos of Magdalena Abakanowicz’s work back in 1980, Every Tangle of Thread and Rope, the exhibition at Tate Modern was the first time I had experienced any of it in reality.

Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT

Whoa, these sculptures (Abakans) are big. It was difficult to keep my hands off them – I so wanted to be enveloped.

Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT

There’s a primal quality to them, reminding us that we all come from the same source.

Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT
Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT
Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT
Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT
Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT
Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT

Her drawings show how the practice of connecting the hand and eye with the brain is an essential way to develop ideas, to test things out.

Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT

This tangle of wire envelopes a creature’s horn, like some kind of protective pupae, just waiting for the right time to emerge. Or is it mummified?

Magdalena Abakanowicz. Tate Modern. Photo by Caroline Banks PIN IT

Later in her career she made site-specific public sculptures in bronze and wood. Visit her website to learn more.

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